Five things to understand about this photography show

Last week, we write a blog on the international photography festival, and now here are five things you should understand about this exhibit.

1. It features six female photographers curated by a girl

That this is not unworthy of notice indicates the quantity of work which remains to be done for gender representation in the art world — locally and globally. There will come a time when all-girls shows, out of ubiquity that is simple, are remarkable for that fact.

2. It showcases views from all ages

Given that it’s an exhibit which aims to represent a varied variety of experiences and viewpoints within the broad class of “female photographers in Hong Kong”, it should come as no real surprise that there’s a pretty comprehensive age range to the photographers: From 30ish to only a hair over 70. Instead of functioning as some demographic, box-checking activity, the works by these various people hint at formative encounters of different iterations of Hong Kong.

3. It’s about more than simply Hong Kong

The show is by no means insular, or just preoccupied with Hong Kong itself though centred in the encounter of six female photographers from Hong Kong. The most apparent counterexample is Lam Wai-Kit’s Which Things Were (Are) Let and Which Were (Are) Not, in which she used Stasi-design observation to herself while in Germany.

4. It’s a room with a view

In what might be a smart nod to the exhibit’s title, the show happens in a literal “room with a view”. Like the remaining galleries at the institute, the Earl Lu Gallery features a wrap around floor-to-ceiling glass facade, with the end result being that almost every work can be seen from the exterior. The show’s curator has quite definitely worked with this as a characteristic, rather than as a constraint to be overcomed.

5. It isn’t quite what you’d anticipate

Despite being part of a photography festival as the reference of cosmetic fringing might indicate, there are many departures from traditional prints on photographic paper. Upon entering the gallery the first work is a video by Wong Wo-Bik, while Lam Wai-Kit’s nearby slideshow is place to folksy- . Through the exhibit, various non-photographic items make up many of the works on show, including architectural drawings, hand-drawn maps, and miscellaneous artefacts for example a film canister, or an envelope.

Closed on public holidays and Mondays. Entry is free.

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